The Butterfly Effect
They say that the flap of a butterflies’ wing can change the
weather. Something so small, so quick, and so fragile that the very act of motion
sends the exquisite insect fluttering on the breeze instead of soaring like a
bird, and it turns out it is amazingly powerful. It’s part of a field of study
known as “chaos theory”, something I can’t claim to be fully conversant with,
but my husband might. He teaches mathematics at the local high school. I may
not be a brilliant mathematician, but I have come to have my own theory about
the butterfly effect. My theory involves life, and death, and metamorphoses,
but it begins very simply, with my childhood love of a book.
I opened the cover. The imaginary but nonetheless real scent
of sea salt and myrtle leaves arose from the printed pages. I could taste the
salt and recognize the oily, pungent fragrance of what I thought myrtle would
smell like. Lemon, with a hint of
something much less sweet. Harrowsmith
isn’t close to the ocean, nor had I ever seen a myrtle bush. But when my
ten-year-old self opened Misty of
Chincoteague, I was no longer in our old limestone farmhouse on Henderson
Road, but on the Virginia shore with Paul and Maureen Beebe. On Chincoteague
and Assateague islands, where the wild ponies grazed proud, wild, and free on
the salt flats.
The memory was strong as I looked around our
bed-and-breakfast on Chincoteague Island. The 1848 Island Manor House had been
kind enough to indefinitely post-pone our original reservation. We -- my
husband Pat and I -- had been planning a trip to Chincoteague to celebrate my
50th birthday. Then tragedy struck. My mom, the person who taught me
to bake pies, who would brush my long hair and who was, well, my mom, was diagnosed with ALS, Lou
Gehrig’s disease, and it came on fast.
The family gathered at her bedside in the hospital, their
ranks swelled by friends and family who had been in the area to celebrate my
niece’s wedding. My sister brought in the chrysalis of a monarch butterfly for
mom to watch. She’d collected it on a walk by her cottage in Frontenac County,
and brought in the milkweed essential for it to live, too. Mom had lost most of
her ability to speak by then, but she would look at the jar with its chrysalis,
and we hoped it would remind her of happier times when we were kids on the
farm. When she was whole, surrounded by her family and friends, and dispensing
her wisdom to those who came to seek her advice on everything from baking to
babies. We had the house that everyone visited. When we were really young, we
would pick her bouquets of dandelions or mayflowers, and she would put our
weedy-but-bright offering in a swan-shaped vase on the table for everyone to
admire.
My mom is the bravest woman I know. On September 1 that
year, she chose to be disconnected from the ventilator that allowed her to
breathe, in the full knowledge that she would not be able to breathe on her
own. She chose to die. She did it surrounded by her family and, I hope, feeling
the blanket of love, comfort, and longing we tried to weave for her. Through my
tears, I saw that the chrysalis in the jar was gone. In its place was a
magnificent monarch butterfly, gently testing its damp wings. Metamorphoses.
What was death, after all, but the evolution of existence? Hello, mom, I whisper in my head. You’re beautiful.
And now, two years later, here we were on Chincoteague. We
drive down from Kingston, the trip taking a couple of days. We talk about
everyday things, like going back to work, but also about bigger things, like
what we hope to achieve in the rest of our lives. We talk about legacy: What it
means, and what we want ours to be. How we want to leave the world a better
place than we found it. We are both schoolteachers, so we see how much
influence teachers have on lives. But I didn’t want to rest there. My legacy, I
decide, also has to do with happiness. Recognizing it when it appears, however
elusive it is or how tiny it might seem. When my mom died, I’d felt as if
colour had somehow been bleached from my life. I was living in a world of
sepia. What made me happy? Because if I wasn’t happy, how could I expect to
create a positive legacy?
We rent bikes so we can cycle to Assateague Island. As we
leave, an artist is on the front step, painting one of the two graceful neo-classical
columns that supported the deck overhead and provided the Manor House with
welcome shade. The pattern of vines and purple flowers is lovely against the
base colour of white. We set out, intent on the ponies and fulfilling a
childhood dream. Misty, here I come,
I think.
The ponies don’t seem to mind people. We find them
everywhere, grazing by the side of the road and on the beach. In fact, some
seem quite interested in us. One light-brown-and-cream stallion is as
interested in Pat as Pat is in him, a kind of horse-human “bromance”. I take
pictures of them together, of Pat taking pictures of the stallion. We sit on the
beach to listen to the waves breaking hypnotically on the sand, and visit the
lighthouse. Happiness seems close here. If I close my eyes and just be, I can feel its butterfly wings touch
my face.
On the way back to our lodging, we stop at a gift shop. I
want to buy something small to remind me of our trip on some cold winter
morning in Ontario, when happiness seems a little further away, dancing on
sunbeams in the south and not on snow crystals on my windshield when I am late
for work. I pick up a calendar featuring the horses on Assateague, and I notice
a wondrous thing: the stallion that had connected with Pat has a name: Legacy.
We cycle back to the Manor, thinking and talking about both our
legacy and Legacy, contented with our day. As we reach the portico, I go to
examine the work the artist has completed. I catch my breath. My heart beats a
little faster. This morning’s work has been finished, but it’s not just a vine
with purple flowers. The artist has added a butterfly. A monarch butterfly. She is here, I say in my head. Mom is here.
Next day, the artist is back to finish a few small details. I
learn that her name is Diane. I tell her about my Mom, and how marvelous it was
to come back to a Monarch butterfly. She listens intently. Then she tells me
that when she was finished painting the flowers and vines, she thought that it
needed something more. First, she thought of a hummingbird. But all of a
sudden, the thought of a Monarch butterfly came fully formed into her head, and
she knew for certain that was what she had to paint. “Your mom put that thought
in my head”, she said. “She was here”.
I think it was Thoreau who wrote that happiness is like a
butterfly. The more you chase it, the more it will evade you. But if you notice
the other things around you, it will come and gently sit on your shoulder. Happiness
is a way of ordering chaos. For me, it’s the butterfly effect.
How beautiful, thank you!
ReplyDeleteI am so glad you like it!
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